Conference Know-How RNA starts from Thursday

 

Gala dinner Library

There’re are one or two tips I’d like to share with you. Any similarity to the marvellous advice sent out by RNA conference organising supremo, Jan Jones, is entirely intentional. Are tips copyright? I first posted this blog on 7th July 2014 and it still seems relevant.

Tip One Do not bring extra reading material. Goody bags are awaiting your arrival and they contain reading material. Also, there is a pop-up book shop on site.

100_4604

Tip Two There are tenners and fivers in circulation or available from your bank. Get hold of some. The bar staff will be very pleased to see you.

Tip Three Yes, dressing-up on Saturday night is fun. the original of this one was made with insect wings. The copy uses plastic fingernails. Wouldn’t put either in the wash though.

early 2012 087

Tip Four Do bring extra coffee, tea-bags and fresh milk. (Jan Jones, see above.) When it comes to food, I miss cheese and fresh fruit that isn’t a rock hard apple, too.

Tip Five Remember the quiet person in the corner is probably a really important editor, agent or author, but they still want to be loved for themselves. Do spare a moment to talk to them.

Tip Six A small paper fan is really useful for creating a breeze in an overheated room. (thanks to Melanie Hilton).

Tip Seven Do keep to your ten minutes in ten minute slots at 1-2-1s Saying it once with feeling and commitment is good.

Tip Eight Think up a few pertinent questions to ask if the speaker invites them. It’s a horrible experience as a chairwoman looking at a sea of silent faces. Chances are if you want to know then others will appreciate the answer, too.

Tip Nine Never mind the photo opps, You can never have too many pairs of comfortable shoes. Slip-on and offs are particularly good as the days pass.

Manchester night out

Tip Ten Relax. Enjoy the moment(s). Go home. Apply lessons learned. Write best-seller.

Till next year…

http://goo.gl/pASdjp Mariah’s Marriage amazon US

“Oh, Mariah, let us not quarrel. We will be married within the month. At least your papa’s house contains plenty of books. You may practise throwing them.” anne stenhouse

http://goo.gl/NxYxj5 Mariah’s Marriage UK

http://goo.gl/PKptQg Bella’s Betrothal US

 …a solitary figure ahead among some gorse and shrubs. Charles thought she made a beautiful picture in her riding habit with the exquisite hat Jenny Menzies wished to inherit. He thought the girl might get it sooner rather than later if he followed his instincts. At that precise moment, he wanted to shake Bella hard. Then he would lock her in the castle in Strath Menzies and hold her forever. anne stenhouse

http://goo.gl/5RBzIm Bella’s Betrothal UK

https://www.omnilit.com/product-bella039sbetrothal-1312055-162.

html https://www.omnilit.com/product-mariah039smarriage-1173550-149.html

 

Round Robin

Hullo again and welcome to June’s Round Robin which is about Characters. Robin, who sets up these posts, calls it a basic topic. It is a basic topic – but one might also refer to it as fundamental.

You can have the most wonderful plot in the history of fiction writing, but if you have to frogmarch your characters through it – it will not work.

In the beginning

So how do I go about developing them? I listen to their conversations. I used to write plays and for that I would put two characters in a room and listen in. Gradually, gradually, I begin to hear what they think needs saying. Fiction of course needs much more narrative and the conversations have to be embellished by surroundings. A pauper woman in Shoreditch is going to have different things to say about there being no food in the house, from a Duchess in Wiltshire.

Fiction writing also lacks a play producer, so it’s up to the writer to dress the characters. Perhaps that leads on to what the Duchess thinks about her dressmaker and the pauper about the rag-and-bone man.

I do spend time on it, but it is time during the writing process. I may know that my theme demands a type of heroine and a type of hero. As I explore what I want to tease out of the theme, I’m listening to the characters.

…and into maturity

What inspires the process of creating a character? Well, getting the next action or twist right, is very important. When I was writing Mariah’s Marriage, Mariah’s response to the countess’s revelation that Toby wanted to marry her, wasn’t the response I’d thought to type. As I typed, the girl’s reaction crystallised and when I read it over, I realised that the character had spoken and I needed to re-think that part of the plot and what happened next. An altogether satisfactory place to arrive at.

The other participants are listed below and despite having a teen at hand to consult, I’ve no idea why they’re appearing in miniature font. Comments on that or on how you create characters will be most welcome,

Anne

Round Robin – Does getting the First Chapter Right Mess Up the Rest of the Book?

This month’s topic is the first post of the fifth year of Round Robins and has been suggested by Skye Taylor:

Has so much emphasis been placed by other writers’ advice, publishers, reviewers, etc. on authors to have a spectacular opening page/1st chapter that the rest of the story sometimes gets left behind? What are your thoughts and experiences with this?

As many of you know I am a member of the Romantic Novelists’ Association. The RNA runs a scheme, possibly unique, whereby people may join as ‘New Writers’ and for a modest fee submit a MS once in the year for critique by an experienced writer in their genre.

I was in this scheme for 5 years and submitted 5 books. The critique of one stated baldly that I wrote a very good first chapter, but the reader needed the rest of the book, too. So, you might say, I’ve had contrary advice and indeed paid for it.

Dancing shoes with medals

I see exactly where Both Skye and the anonymous NWS reader are coming from. I came to the understanding many years ago that it’s the puzzle I’m interested in. My house used to be full of drawers containing the first chapter of a novel or the opening scene of a play or, and this is what eventually made me understand why I never finished anything, the back of a hand-knitted jumper. Once I knew where the story was going or how the knitting pattern worked, there was little need to complete.

I was enchanted by Elizabeth Hawksley’s lovely post about her vintage, antique even, sewing machine. You can read it here. While I knew many people in the late 60s and early 70s who did make and wear their own clothes, my efforts were in general not fit to be seen. Being an ‘A’ student, I learned Latin after 2nd year and so never developed the discipline of making a garment. That’s where the NWS scheme triumphs, I think. You have a go in year one and learn a bit. In year two you do carry that learning forward…and so on. The discipline of completing an annual MS was invaluable.

Other advice will suggest the ending needs to be strong and, in romance, that the ‘black moment’ has to be apparently unsolvable. Carried to extremes all of this turns good writing practice into pastiche, in my humble opinion. Yes, readers remember particular bits, but it can be surprising when people tell you in conversation which bits. They aren’t necessarily anything to do with the landmark moments.

The Menzieses’ House No 20

My friend awaits my Edinburgh based regencies so she can walk the pavements she walked while growing up in Buccleuch Place and indulge in a little sentimental reminiscing.

Other lovely people have been mulling over this topic and they can be found on their blogs below:
A.J. Maguire  http://ajmaguire.wordpress.com/
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Dr. Bob Rich http://wp.me/p3Xihq-YV
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Helena Fairfax http://www.helenafairfax.com
Marci Baun  http://www.marcibaun.com/blog/
Victoria Chatham http://victoriachatham.blogspot.ca
Rachael Kosinski http://rachaelkosinski.weebly.com/
Connie Vines http://mizging.blogspot.com/
Beverley Bateman http://beverleybateman.blogspot.ca/
Rhobin Courtright http://www.rhobinleecourtright.com

Round Robin – Description – How Much is Too Much – Too Little?

 
Description I remember a writing lesson exercise at primary school. The task was to describe the living room of our house. It was a huge joy when the teacher said of my piece that he would be able to walk into that room and not bump into anything because my description was so careful, he knew where everything was.
     So, is that degree of detail appropriate for the kind of historical fiction I write now?
I don’t think so. I prefer to give the reader a few clues and allow them to visualise countryside, room, people, animals, in their mind’s eye. I like to think that a clue will conjure a world.
     If it’s pouring rain, the reader will see the water from a phrase like, ‘She came up out of the underground into a mass of folk hurrying on their way beneath a jostling canopy of umbrellas.’
     On the other hand, if the sun is blazing, I might use, ‘She shielded her eyes beneath an outstretched palm. It was hard to tell whether the heat was more shocking than the expanse of flesh on view. She knew her mother was right when she said Brits don’t dress well in summertime.’
     I want to include enough to let the reader know the bits of information it is important they do not get wrong. I want them to see the difference between a young lady and her maid, a crossing-sweeper and an Eton school-boy – and so on. One of my favourite passages from one of my own books is this from Mariah’s Marriage:

“Of course Tilly would be interested in the earl’s tailored wool coat with his spotless waistcoat and carefully tied neck cloth. The men who normally visited here wore ill-fitting garments which were often stained with food. Not only that, but the earl had a clean-shaven face and the hair of his head was trimmed into a neat style that allowed his strong bones to be seen easily. Seen and admired, she thought.”

I think this little snippet of description not only tells us what Tobias looks like, but how overwhelmed Tilly is and, indeed, how Mariah, too, is succumbing.

London Girl

London Girl

     Our topic also asked whether I skimmed description when reading a book. Oh dear, yes I do. I am most likely to skim scene-setting description. It’s very unfair of me and maybe I should try harder, but honestly, I want to know the characters are in a dental surgery or a fast-food outlet, but I don’t need to know what colour the paintwork is. Unless, of course, that’s relevant to the plot.
So, if description interests you, then read on among my Round Robien friends below. I think you’ll enjoy…

Round Robin – Prologue and Epilogue

PROLOGUE AND EPILOGUE The temptation to misquote from something half remembered is too strong to overcome. In my beginning is my end…

I don’t use either prologues or epilogues in the four novels I’ve published so far. It is fair to say that Daisy’s Dilemma carries on the story of Lady Daisy and by doing so tells any interested reader what happened after the first book, Mariah’s Marriage, ended.

But that is novel length and hardly a short rounding off of anyone’s story.

So – why not?

Prologues almost, but not quite, fall into the same category as Introductions for me. I don’t read them before I read the book and sometimes not even then. Is this impatience to be getting on with the story? Is it arrogance? Why do I need to have someone’s view of a subject before forming my own?

Prologues of course are little tasters. They plant a hook deep in the reader’s brain about what happened to, or in the life of, one of the characters who are about to unfold on the book’s stage. I prefer to have all of that in my story. Maybe it’s just a question of stylistic preference.

Epilogues round off or flesh out the ending the reader has been presented with. Just in case one was unsure doubt is removed. Yes, there was a happy ending and here is how it evolved. No, it was a bittersweet ending and here is how it evolved. Oh dear, the baddie was rescued by a passer-by and is recovering in hospital to plague the hero and/or heroine in another book.

Personally, although I do read epilogues, I like my own imagination to have room to weave an ongoing fantasy.

Our full topic asked if you could have one without the other. I don’t see why not, but perhaps my fellow bloggers have reasons. Catch their opinions below.

Anne Stenhouse Author

Margaret Fieland http://margaretfieland.wordpress.com
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Dr. Bob Rich http://wp.me/p3Xihq-QS
Marci Baun  http://www.marcibaun.com/blog/
A.J. Maguire  http://ajmaguire.wordpress.com/
Victoria Chatham http://victoriachatham.blogspot.ca
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Helena Fairfax http://www.helenafairfax.com
Beverley Bateman http://beverleybateman.blogspot.ca/
Connie Vines http://connievines.blogspot.com/
Rachael Kosinski http://rachaelkosinski.weebly.com/
Kay Sisk http://kaysisk.blogspot.com
Rhobin Courtright http://www.rhobinleecourtright.com

September Round Robin – do you have eccentric writing practices – Pardon?

What writing practices do you have that you think are eccentric or at least never mentioned, but you find helpful? – is the theme or topic for September’s Round Robin post.

Hmn!

If they’re our practices will we be aware that they’re eccentric? If we are, do we keep quiet about them lest others think we’re eccentric – or because we sense an unfair advantage?

100_5920So, Tunnock’s Tea-cakes are the secret eccentricity around here. But – maybe not so eccentric as they’ve been around, if not here exactly, but in Scotland anyway, for  nigh on 60 years. They are a much enjoyed tea-time delicacy, school snack, lunch treat, anytime…

bannerfans_15410729

And how do they constitute an eccentricity in writing terms? Well, when it’s going well, they’re a wee reward. when it’s going okay, they’re a sugar rush to the head. When it’s going badly – well there are worse things to do than eat a teacake – or two.

Maybe I was supposed to tell you about long-hand drafts or my portable type-writer; the folders of tourist information brought back from trips abroad and never again consulted, but I know they’re there if needed; the xxxx dotted through MSS so I can find the places in need of corroboration or checking; the frantic ‘find and replace’ searches in final edits so that the heroine’s hair and eye colour is the same throughout.

Maybe.

My fellow Round Robin friends may have more curiosities for your delectation. They can be consulted by clicking on the links below. In the meantime, I’ll unwrap a teacake, designed by Boyd Tunnock for the family firm in Uddingston in 1956.

Courting the Countess

courting-the-countess

 

 

 

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
A.J. Maguire  http://ajmaguire.wordpress.com/
Beverley Bateman http://beverleybateman.blogspot.ca/
Dr. Bob Rich https://bobrich18.wordpress.com/2016/09/24/is-my-writing-right-for-you
Rachael Kosinski http://rachaelkosinski.weebly.com/
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Connie Vines http://connievines.blogspot.com/
Helena Fairfax http://www.helenafairfax.com
Victoria Chatham http://victoriachatham.blogspot.ca
Margaret Fieland http://margaretfieland.wordpress.com
Rhobin Courtright http://www.rhobinleecourtright.com

Round Robin August – Coming Soon – Courting the Countess

Really exciting news this month because I can also tell you about a new book in the production process. You’ll have to check back for the cover Reveal and publication date, but meantime, TA RA………………………………………………………….

COURTING THE COUNTESS will be my 4th published full-length romance when it comes out from Endeavour. It’s the story of a young woman whose beauty has been lost in a fire. As such, Courting the Countess, is a most appropriate study for this month’s round robin feature: What mental, physical or spiritual wounds or scars have you used in your stories?

Courting the Countess began life as an entry for the Elizabeth Goudge Award competition when the then RNA Chair, Christina Courtney, asked for a novel opening based on a fairy-tale.

WHAT IF, I thought, the Beauty was the man and the Beast was the girl?

Easy enough to create a physical illness or disability for one of the characters, but what implications does the loss of beauty have for a person? Lots, I would say and thereby was my story found.

Injuries and pain bring with them a loss of confidence and zest for life. Can my hero restore her? What spiritual wounds might he be living with that help or hinder him in this task? There have to be some, I think, in a well-rounded novel or the light and shade is compromised.

Courting the Countess, like my other books also has a lot of fun, dry wit and period detail – 1819, Scottish Regency, Edinburgh. As a writer I don’t believe in whacking the reader with mental, physical or spiritual burden all the way through. Life is a kaleidoscope, but the heroines of any romance need a fair bit of angst to work through and show their characters to best advantage.

If this subject interests you, then please head along to one of my blogging friends, below:

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Victoria Chatham http://victoriachatham.blogspot.ca
https://bobrich18.wordpress.com/2016/08/27/the-wounded-healer
Rachael Kosinski http://rachaelkosinski.weebly.com/
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Helena Fairfax http://www.helenafairfax.com
A.J. Maguire  http://ajmaguire.wordpress.com/
Fiona McGier http://www.fionamcgier.com/
Rhobin Courtright http://www.rhobinleecourtright.com

Anne’s on twitter @anne_stenhouse

Facebook www.facebook.com/annestenhouseauthor

Buy my books here: Amazon Author Page

 

Round Robin – Emotion and all That

How emotionally involved are you in writing some scenes is the question posed for this month’s round robin.

Well, it’s a biggie. I think the emotion I personally find hardest to deal with is disappointment. I’m writing this on the 24th June 2016, so many in the UK will know disappointment this morning and throughout the whole day.

I’ve just had a peek at Facebook and astonishing stuff is coming through. People who voted ‘Leave’ (the European Union) because they didn’t think their vote would count so it wouldn’t matter (Eh?). People who believed Eurocrats made the laws – where were they when the rest of us were voting for our MEPs?

However, we’re talking writing here and as I write romance with lots of ups, downs and round-abouts, there’s enough emotion to find a few heart-wringing moments to tempt you.

MARIAH’S MARRIAGE

London Girl

London Girl

Mariah’s Marriage is shot through with disappointment. Sir Lucas is disappointed he could not snare the Earl for his sister. Lady Mellon is disappointed she cannot secure a suitable wife for the heir. Mariah is bitterly disappointed she cannot continue her life teaching because the earl has trapped her in a compromising situation. I really felt that tug between what one wanted to do and what one must do.

And I hugely enjoyed the resolution which I was able to write with, I hope, laugh-out loud farce.

 

 

BELLA’S BETROTHAL

Bella’s Betrothal

Bella’s Betrothal charts the resolution of disappointment because Bella feels abandoned, if not even cast off, by her family. I really invested in the scenes early in the book when she tries to defend herself against the pragmatic arguments and physical attractiveness of Charles Lyndsay. Well, how do you choose the lesser danger of a bogeyman out there and a heart-stoppingly attractive man in your room at the inn?

 

 

DAISY’S DILEMMA

Daisys Dilemmal 333x500Daisy’s Dilemma springs out of disappointment and it’s all the more poignant because Daisy doesn’t see it coming. Actually, as the creator, neither did I. Reuben Longreach’s voice caught me a little by surprise, but I soon grew to love him dearly and I wrote one or two of his scenes entirely wrapped up in him.

I refer a lot throughout this book to The Foundling Hospital where mothers could leave the babies and small children they were unable to keep. Some were never re-united. Today in Camden, within walking distance of King’s Cross, you can visit the Foundling Museum which sits in some of the original buildings and in Coram’s Fields. The display case exhibited there of the tokens – sometimes a button or scrap of a shawl – by which mothers hoped to identify their baby should life improve and they could reclaim them, is deeply moving. So, yes, I was emotionally very involved in writing much of this book.

Thomas Coram

Thomas Coram

So if you fancy learning how other authors go about it, try one of my friends, below:

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Marci Baun  http://www.marcibaun.com/blog/
Heather Haven http://heatherhavenstories.com/blog/
Victoria Chatham http://victoriachatham.blogspot.ca
Diane Bator http://dbator.blogspot.ca/
Beverley Bateman http://beverleybateman.blogspot.ca/
Rachael Kosinski http://rachaelkosinski.weebly.com/
Margaret Fieland http://margaretfieland.wordpress.com
Connie Vines http://connievines.blogspot.com/

Bob Rich https://bobrich18.wordpress.com/2016/06/25/emotion-in-writing
Rhobin Courtright http://www.rhobinleecourtright.com

Weather – round robin

100_3112
Weather So the picture of me in Yellowstone, US, has more than a few clouds in the sky. It was, however, warm and sunny, too. Perfection. When asked the next day the young man on our raft said he expected the snow to arrive in the next week or two – never long after Labour Day.

And that’s the thing about weather it’s at the same time regular and unpredictable. That it will blanket the national parks for months is certain, but when that fall will come less so. That it will thaw in the spring is equally sure, but again when that will happen less so.

Using weather in writing is tricky, but oh so tempting. I recently recommended to my book group (we take it in turn to recommend) The Taxidermist’s Daughter by Kate Mosse. She uses the landscape of low-lying marsh around Chichester and creates a coming storm. She is at pains in the acknowledgements to state the storm was a fictional one. There are, however, many such in British history and not all that distant history either so we can feel that wind as it howls through the darkness and the dragging effect of long wet skirts or clinging soaking trousers. We know enough to vicariously experience the rising level of hysteria that matches the rising flood waters. And to thank our lucky stars when we wake in the morning to a cleansed countryside and a moral cleansing, too. DH Lawrence also used flooding to effect a cleansing.

Another sort of weather much exploited is over-bearing heat building to unbearable intensity before storm brings relief. Tennessee Williams, Arthur Miller, Graham Greene all use it in drama and prose. Evelyn Waugh used a storm at sea to allow his narrator and Julia to come together in Brideshead Revisited. Somehow their ability to avoid sea-sickness gave them a glamour and superiority that the fall from marital grace should have prevented.

Weather features close to the opening of my DAISY’S DILEMMA Daisy has been trapped in the great London house of her brother the earl for a week or more. She’s recovering from food poisoning and then when she might venture out summer thunder and lightening prevents it. Daisy’s mercurial temperament is sorely tried and, clearly, she needs a strong arm to assist her into the world outside her pampered existence. Did I do it consciously? How does one know where anything in fiction comes into the brain from? Once it was down, however, I really liked it. Drama Mood and Revelation.

My fellow rounders’ writers are listed below. Do visit and see what they think, too. What do you think? Is weather used wisely in fiction? Do you use it in yours?
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Rachael Kosinski http://rachaelkosinski.weebly.com/
Beverley Bateman http://beverleybateman.blogspot.ca/
Connie Vines http://connievines.blogspot.com/
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Helena Fairfax  http://helenafairfax.com/
Judith Copek http://lynx-sis.blogspot.com/
Dr. Bob Richhttps://bobrich18.wordpress.com/2016/04/26/oh-the-weather/
Victoria Chatham http://victoriachatham.blogspot.ca
Kay Sisk http://kaysisk.blogspot.com
Rhobin Courtright http://www.rhobinleecourtright.com

Upstaging for Beginners – Secondary Characters’ Round Robin

 

Upstaging for Beginners is something all eldest children know about. I’m an eldest child – what do you mean, you knew that? There you are in a neat little bubble of loving relatives, doting friends and neighbours and admiring strangers when it BURSTS.

After the Night Before

New Baby

A sibling has arrived. They don’t have to do anything to attract all that wonderful attention that was hitherto yours and yours alone. They just are Secondary Characters and they’re upstaging you.

Secondary Characters should support the heroine or point up by their failings and villainy how sparkling, intelligent, beautiful… Okay, I think we all know what we want the secondary characters to do. Unfortunately, as in The De’il has all the best tunes, the villain often has more of the colour and a writer needs to take enormous care to avoid making the good pale and uninteresting by comparison.

My favourite Secondary Character from my own writing is Reuben Longreach in

DAISY’S DILEMMA

Reuben arrived on the first page of the new story fully formed and snapping at the heels of the man I had thought was going to be the male interest. He was certainly a surprise and I loved him from the first words I ‘heard’ him say.

DAISY herself was a secondary character in MARIAH’S MARRIAGE I did have to tone her down in one scene to allow Mariah to flourish.

There are many classic secondary characters such as Dr Watson & Captain Hastings. The reader comes to love their contributions. Clever readers might even solve detective mysteries through their pointed mistakes (I can’t ). And there are many small, almost cameo, characters who live on in the memory. A recent, and in my view brilliant one, was Lowrie the taxidermist and artist in the television serial Shetland, BBC 1

So, in conclusion, I love secondary characters. Visit some of my blogging friends to find out what they think by clicking on any link below from Saturday 19th. My post is up early as I’m off to the Scottish Association of Writers’ Conference – more of that later.

I’d love to know, dearest reader, who your favourite secondary character is from my three published novels, Mariah’s Marriage, BELLA’S BETROTHAL and Daisy’s Dilemma. Leave a comment, please.
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Beverley Bateman http://beverleybateman.blogspot.ca/
Judith Copek http://lynx-sis.blogspot.com/
Connie Vines http://connievines.blogspot.com/
Victoria Chatham http://victoriachatham.blogspot.ca.
Helena Fairfax  http://helenafairfax.com/
Marci Baun  http://www.marcibaun.com/
Rachael Kosinski http://rachaelkosinski.weebly.com/
Hollie Glover http://www.hollieglover.co.uk
Dr. Bob Rich http://wp.me/p3Xihq-CZ

Fiona McGier http://www.fionamcgier.com/
Rhobin Courtright http://www.rhobinleecourtright.com/