What is your favorite POV to write and/or read and why? This month’s question gets a lot of people hot under the collar.
Writing mainly in the romance world, my favourite Point of View (POV) is third person and of the female protagonist. But, in novel length work, I will have a few chapters, or part of each chapter, written in the POV of the main male protagonist.
Why do I choose this one?
Okay, for centuries (since time began) other people have told and will tell you what you think. It drove me crackers as a child without agency and in a male dominated world that has been very slow to change, it continues to do so.
Enter the writing habit. Why would I want to silence my female characters by having their world viewed in the omniscient author voice? Why would I want to use the second person which always strikes me as being a description of happening more suited to journalism? Why would I want to use the first person which leads to all sorts of tangles trying to get enough information onto the page?
This is not to say that I haven’t read and admired many works written in both first and second person – it simply isn’t my choice.
Holding the POV steady is challenging. When I taught creative writing, it was one of the issues many people found very hard to get a handle on. There is a temptation to allow other characters to make observations on their circumstances rather than allow the protagonist to tell us so that we understand what she thinks about them.
“Mary-Jane knew that if she turned the cake plate she could choose the meringue as it would be nearest to her.” is fine but: “Alice watched Mary-Jane turn the cake plate. They’d been told by their mum to take the cake nearest. Alice knew Mary-Jane would grab the meringue again. It was so unfair, but mum never seemed to notice.” Let’s us into the world of two siblings vying for their mum’s attention (and meringues).
Introducing some space for the hero allows the reader to support the heroine but also to see how she might be misunderstanding the guy. It enrichs the overall text by allowing us to see how the hero rounds out – what he’s like among his friends, family, colleagues.
Now, is Georgette Heyer my favourite historical romance writer? Could be. Does she change POV to the extent she might be accused of head-hopping in some places? Could be.
Ah well!
How do you do POV?
Only a few robins chirping this month but I’m sure they’ll all have interesting points to make.
Connie Vines http://mizging.blogspot.com/
Helena Fairfax http://www.helenafairfax.com/blog
A.J. Maguire http://ajmaguire.wordpress.com/
Skye Taylor http://www.skye-writer.com/blogging_by_th