Diary of a Writer – Christmas Story – A STABLE REFUGE

Size six, lacing

A STABLE REFUGE

By

ANNE STENHOUSE

Cold seeped through the soles of Aline’s slippers and crawled up her legs. It circled her knees, and she knew they’d be bright pink. No-one could see that, though, as the onesie she wore covered everything. Covered everything and protected nothing.

Her body was so cold, she thought it wouldn’t be long before it went into shock.

“Hey, Missus,” the elderly shopkeeper said as she staggered a little under the weight of her basket. “Let me help with that.”

Gratefully, Aline released the basket to the man.

“I missed the chance to book a supermarket delivery,” she said without making eye contact. Who on earth would believe that?

“That’s to my advantage then,” the man said. “Husband outside in the car?”

“No, no. I’ve only two hundred yards or so to walk.”

“In this weather! Want me to phone him?”

“Goodness, no,” Aline said and even to her own ears panic laced her voice. She did look up then and saw the woman standing in the storeroom doorway. She wasn’t fooled. Aline knew that disconcerting calm marked a professional.

The man checked out her Christmas shop and if he wondered why a household living two hundred yards down this middle-class suburban street was going to dine on tinned soups and packet ham, he was too polite to say anything.

She hauled the notes Brian had give her out of her pocket and was relieved to see they were enough. The man rang them up and handed her twenty-two pence change.

“What do you want for Christmas, then,” he asked as he carried the bulging shoppers across the shop to the outer door.

“Shoes,” she said without thinking, “Size six, lacing.”

The woman was beside her holding a thick cardigan. Breathing in her clean soapy smell made Aline’s eyes fill. Her mum would smell like that after her shower. The wave of longing meant Aline’s attention wasn’t on the woman and she allowed her arms to be eased into the cardigan.

“We really are open twenty-four hours,” the woman said quietly, “For those in need.”

“I can’t take this,” Aline screamed the words, clawing ineffectually at the sleeves of the cardigan. The woolly pile clung like Velcro to the pile of her velour onesie. “My husband provides for us.”

“Does he?” the woman said. “Well, that’s good, but remember, Liz and Mike are open 24/7.”

Aline grabbed her bags from Mike and slopped home through the driving rain. Brian would be waiting, stopwatch in his hand.

“Hmff!” he said as he clicked her in. “What’s that?”

Aline didn’t pretend ignorance.

“The cardigan?” she said trying to keep mounting hysteria at bay. If that Liz was a professional, she should have known giving her the cardigan would only ramp up Brian’s grievances. “I was shivering, and the shopkeeper’s wife insisted. I’m to take it back soon as.”

“Right on, you are. They think I don’t look after you? What were you telling them, Aline?” Brian drew out the vowels of her name in a parody of the way her dad had talked to her. Her dad meant it as a sign of affection. Brian as a sign of mockery.

“Nothing, Brian. I did the shopping from your list and handed over the money.” She searched in her pocket for the change and set it down on the corner of the hall table. “I’ll put the stuff away so the milk doesn’t go off.”

There was little difference between the temperature of the house and the temperature of the fridge, but she pretended.

Ivy and Luke slid into the hall and gazed longingly at the shopping but there was nothing in there to cheer them up. Nothing at all.

Christmas morning in Brian’s house, as Aline had come to think of it, was possibly the worst morning of the year. When they gathered in the living-room for video calls with his mum and dad, the floor was strewn with Christmas wrap and bits of string. The tree lights were on. Everyone was dressed – properly dressed – with underwear and tee-shirts and trousers and jumpers with silly reindeer on them. Silly but warm.

The children’s presents from Santa sat in a neat pile on the edge of the broad arm of the settee. None of them had the cellophane torn, though. Aline had wondered once why her mother-in-law didn’t ask about that, but now she thought she knew. Brian had to be born in a mould of some sort.

She let her gaze stray to Luke where he sat at his dad’s feet. At ten he was small for his age and there were still one or two accidents in the night. Accidents that allowed Brian his favourite type of moment. The moment when he could accuse her of mollycoddling and lack of discipline. The moment when he could…

“Aline,” Brian’s pretend jocularity speared her straying thoughts, “Aline, Dad wants to know what you got from Santa.”

She peered into the phone. The older man was studying her as closely as the instrument allowed.

“Santa?” she said. “We’re going shopping day after tomorrow. Brian saw a lovely dress he thought would suit and it’s just above budget, but it’ll come down in the sales.”

No phone call to her family. Presents packed into the carriers ready to be returned for a refund. Ham sandwiches made. Brian heated two tins of tomato soup but took her by the arm and pushed her out into the back garden. She heard the lock click. She heard Ivy and Luke crying in protest.

Cold seeped through her slippers. She’d had no shoes for nearly two years now. Brian knew she couldn’t go far in her slippers.

At around three o’clock, Aline heard the window of the bathroom on their half-landing creak open. She looked up and watched as Ivy tumbled through onto the flat roof clutching her one and only dolly. Luke’s head appeared behind her and then he thrust a bag out. It dropped to the ground beside Aline’s feet.

She helped the children slither off the roof and brush themselves down.

“The bag, Mummy,” Luke whispered. “He’d just fallen asleep when I saw a lady in the front garden.”

Aline shook out the shoes. Size six, lacing.

“Let’s go,” she said. “I know a stable refuge that’s open.”

THE END

© Anne Stenhouse

No part of the above story, A Stable Refuge, may be reproduced without written permission from the author.

Below are some of the Robins I share the monthly Round Robin blog with throughout the year. Their stories are available to read from Saturday 16th December.

Dr. Bob Rich https://wp.me/p3Xihq-35i

Connie Vines http://mizging.blogspot.com/

Diane Bator https://dbator.blogspot.com/

Judith Copek http://lynx-sis.blogspot.com/

Helena Fairfax http://www.helenafairfax.com/blog

Victoria Chatham http://www.victoriachatham.com

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

Diary of a Writer – Out and About

Capital Writers 4/5

Anne – Jane – Kate and Cecilia will be staffing a stall. There will be writerly chat; sweeties, stocking-filler books, sweeties and piles of People’s Friend mags to leaf through.

Jennifer, we’ll miss you.

See you there?

Anne

Courting the Countess

Round Robin – November 2023 – Settings

Setting the Scene: Or as one blogger has suggested: Your scene is a sketch, not a photograph.

I thought for this one I’d do a compare and contrast.

Tracy sat very, very still. Her hair straggled out of the bobble she’d picked up two days ago and tickled the skin around her ears. Impatiently, because she knew there was a lot of writing ahead of her, she tugged the strands of hair and wrapped them with the fraying elastic until she could hear again. The cottage was quiet. Her dad wouldn’t be back for at least an hour and her ma would be taking the chance of a bit of sleep before he came.

She slid her hand down the side of the sofa bed and caught hold of her squeezy torch. It was a nuisance and a Godsend. She couldn’t make up her mind which, but it had meant she’d finished the last lot of Maths problems and handed them in on time yesterday. If only there was more time at the after-school homework club.

She breathed in the familiar smell of damp plaster and worse – from the bucket in the corner. She was not going to spend the rest of her life in another dump like this one. No! Tracy Craig was going to be a teacher.

“Eloise yawned. Write five hundred words on the theme of personal achievement was the latest homework assessment. Could that teacher think of anything more boring?

She shrugged out of the velour onesie Daddy had brought back from his trip to Paris. Wouldn’t the rest of them give something for this, then? She ran her fingers over the embroidered logo before dropping it on the floor. Why have a maid and hang things up yourself?

Dropping her silk nightie over her head, she sank into bed and drew her tablet across. Nothing much on her socials. Oh well, maybe this once she’d do the homework on time. Now, where was that site? The one her cousin had shown her that did all these boring essay jobs and put in a couple of mistakes to make it look real? Eloise Mack was going nowhere near any University. Her personal statements would be done in person.”

I hope I’ve given you the physical situation of each girl but also the emotional one. I think the reader can see the characters and the obstacles each faces when striving for a future. I believe they’re sketches and not simply photographs.

Anybody in West Edinburgh this morning, Saturday 18th Nov? I’m talking as part of a ‘local authors’ panel’ in Colinton library. Our slot begins at 12 noon and runs, with time for questions and mingling, till 2pm. Thorburn Road.

Below you’ll find a list of other Robins. Hope you’ll pop over to their sites for a nosey.

Anne

Dr. Bob Rich  https://wp.me/p3Xihq-33K

Diane Bator http://dbator.blogspot.ca/

Connie Vines http://mizging.blogspot.com/

Helena Fairfax http://www.helenafairfax.com/blog

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

Round Robin – Sagging Middles

This month’s topic from our organiser, Skye, is ‘How to Fix a Sagging Middle’.

I imagine every writer has been there. Things are going along just fine when you realise that is a problem. The protagonist needs things to be going from bad to worse in order to retain reader sympathy, empathy and interest.

It’s occasionally the moment when my brain says something on the lines of:

“That’s why she didn’t open the garden shed!”

It, my brain, was building in a little foreshadowing. At the moment of writing the sentence about not opening the garden shed, I would likely have been wondering what it had to do with anything so far written about but, Bingo! its moment has come.

However, such luck cannot be relied on so how does one deal with a sagging middle?

One can introduce a new character. Obviously, this new person will have a position that makes their arrival appropriate or even inevitable. Perhaps your story is set in an hotel and the premises have just received their annual certificates of fitness to function. How about having the character who’s been pacing the boundaries arrive and ask whether your central character knows the bridge leading out of the village to the hotel’s drive is to be closed for three months for repairs?

One can look closely at the scenes just completed and wonder whether they would be more arresting if written in dialogue.

One can go right back and see whether there are any narrative strands that have had less attention than some of the others that made it through. This is similar to the luck of remembering some foreshadowing but involves the writer in consciously inserting foreshadowing or reinforcing a passing reference.

The solutions found by my fellow robins are on their blogs, accessed below.

On 1st November Ulverscroft large print publishers will be releasing a library edition of Christmas at Maldington. Here’s the cover:

Anne

Dr. Bob Rich https://wp.me/p3Xihq-322

Anne Stenhouse https://annestenhousenovelist.wordpress.com

Connie Vines http://mizging.blogspot.com/

Diane Bator http://dbator.blogspot.ca/

Helena Fairfax http://www.helenafairfax.com/blog

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

Diary of a Writer – Speaking about the Craft

A wee head’s up to those in the Edinburgh area. I’ll be speaking in Colinton Library about writing The Long Serial and The Short Novel on Saturday 18th November. This is as part of a group of local authors:

Jenny Robertson, Sarah Byrom, Chikamso Kanu and me, Anne Stenhouse.

My slot is 12.55.

The Pentlands Book Festival has been going for some years now and spreads out to several venues. All the details are on their website

I do hope you find something to suit.

Anne.

Diary of a Writer – Christmas is Coming

Just found the brilliant cover is up in Ulverscroft’s catalogue. Thought I’d share.

May be coming to a library near you.

Genni Kilpatrick needs peace to recover from the shock of witnessing someone die in front of her on her television programme. Can Maldington House provide that peace? How about local electrician, Paddy?

Diary of a Writer – The End

Image

Regular readers will know that I’m approaching the final pages of the serial I’ve been writing. I found myself pondering over the ways in which we do that.

When I’ve taught creative writing to beginners, I’ve noticed there is a tendency to rush the end. They may have written a lovely, well-paced story but now they know the ending (how many of us write stories to find out what happened?) and they want to move on to the next.

To them, I say – “Don’t”. The ending is what the reader reads last and therefore is one of the parts of your story that most easily stays with them. Allow them the chance to savour the goody’s triumph and the baddy’s downfall.

There is another approach which could be described as the opposite and it’s where I’m lingering at the moment. I don’t want to let my characters go. You know the sort of thing. In a comma, out a comma. If the heroine said this would it be the best resolution? Maybe the hero should say it…

What’s the answer?

Part of the answer got me out of bed this morning to check a deadline I was allowing to hover below my radar.

So it’s full-steam ahead because I need the brain space. However, I will miss them and I am looking forward to seeing them again in the People’s Friend towards the end of December.

I was on holiday recently and read another former PF serial, Kate Blackadder’s Saturday Scribblers in kindle book form. Engaging characters with individual problems and resolutions.

Anne

Diary of a Writer – September Prompt

Third Baby Vest completed for the Knit Every Day in August CHAS fundraiser. I’ve very much enjoyed the challenge and even sewed up the results. (Previous posts may refer to any drawer in my house being likely to contain an unfinished MS and an unfinished bit of knitting.)

Along the way, I wrote. Curious how having to find the time helps you do that. So that’s what makes this picture a prompt. Challenge yourself.

August in Edinburgh, if you’re at all interested in the ARTS, is very busy.

Festival highlights included Dimanche, Food, the circus with my daughter, The Magic Flute and Alvin Ailey Ballet co. There were also visitors, meals in and out, street theatre and the re-surfacing of one of our local arterial roads.

And I wrote. The serial you’ve heard so much about is all-but finished. I have enjoyed writing it more than I can say for reasons I can’t share until it goes up – someting to come back for.

Next up? I thinkI might try a contemporary pocket novel. A kind writer friend said she enjoyed my novels and would like to read another one. A little encouragement goes a long way.

CHAS Fundraiser

Anne

ROUND ROBIN – POINT OF VIEW

What is your favorite POV to write and/or read and why? This month’s question gets a lot of people hot under the collar.

Writing mainly in the romance world, my favourite Point of View (POV) is third person and of the female protagonist. But, in novel length work, I will have a few chapters, or part of each chapter, written in the POV of the main male protagonist.

Why do I choose this one?

Okay, for centuries (since time began) other people have told and will tell you what you think. It drove me crackers as a child without agency and in a male dominated world that has been very slow to change, it continues to do so.

Enter the writing habit. Why would I want to silence my female characters by having their world viewed in the omniscient author voice? Why would I want to use the second person which always strikes me as being a description of happening more suited to journalism? Why would I want to use the first person which leads to all sorts of tangles trying to get enough information onto the page?

This is not to say that I haven’t read and admired many works written in both first and second person – it simply isn’t my choice.

Holding the POV steady is challenging. When I taught creative writing, it was one of the issues many people found very hard to get a handle on. There is a temptation to allow other characters to make observations on their circumstances rather than allow the protagonist to tell us so that we understand what she thinks about them.

“Mary-Jane knew that if she turned the cake plate she could choose the meringue as it would be nearest to her.” is fine but: “Alice watched Mary-Jane turn the cake plate. They’d been told by their mum to take the cake nearest. Alice knew Mary-Jane would grab the meringue again. It was so unfair, but mum never seemed to notice.” Let’s us into the world of two siblings vying for their mum’s attention (and meringues).

Introducing some space for the hero allows the reader to support the heroine but also to see how she might be misunderstanding the guy. It enrichs the overall text by allowing us to see how the hero rounds out – what he’s like among his friends, family, colleagues.

Now, is Georgette Heyer my favourite historical romance writer? Could be. Does she change POV to the extent she might be accused of head-hopping in some places? Could be.

Ah well!

How do you do POV?

Only a few robins chirping this month but I’m sure they’ll all have interesting points to make.

Connie Vines http://mizging.blogspot.com/

Helena Fairfax http://www.helenafairfax.com/blog

A.J. Maguire http://ajmaguire.wordpress.com/

Skye Taylor http://www.skye-writer.com/blogging_by_th