This month’s topic is the first post of the fifth year of Round Robins and has been suggested by Skye Taylor:
Has so much emphasis been placed by other writers’ advice, publishers, reviewers, etc. on authors to have a spectacular opening page/1st chapter that the rest of the story sometimes gets left behind? What are your thoughts and experiences with this?
As many of you know I am a member of the Romantic Novelists’ Association. The RNA runs a scheme, possibly unique, whereby people may join as ‘New Writers’ and for a modest fee submit a MS once in the year for critique by an experienced writer in their genre.
I was in this scheme for 5 years and submitted 5 books. The critique of one stated baldly that I wrote a very good first chapter, but the reader needed the rest of the book, too. So, you might say, I’ve had contrary advice and indeed paid for it.
Dancing shoes with medals
I see exactly where Both Skye and the anonymous NWS reader are coming from. I came to the understanding many years ago that it’s the puzzle I’m interested in. My house used to be full of drawers containing the first chapter of a novel or the opening scene of a play or, and this is what eventually made me understand why I never finished anything, the back of a hand-knitted jumper. Once I knew where the story was going or how the knitting pattern worked, there was little need to complete.
I was enchanted by Elizabeth Hawksley’s lovely post about her vintage, antique even, sewing machine. You can read it here. While I knew many people in the late 60s and early 70s who did make and wear their own clothes, my efforts were in general not fit to be seen. Being an ‘A’ student, I learned Latin after 2nd year and so never developed the discipline of making a garment. That’s where the NWS scheme triumphs, I think. You have a go in year one and learn a bit. In year two you do carry that learning forward…and so on. The discipline of completing an annual MS was invaluable.
Other advice will suggest the ending needs to be strong and, in romance, that the ‘black moment’ has to be apparently unsolvable. Carried to extremes all of this turns good writing practice into pastiche, in my humble opinion. Yes, readers remember particular bits, but it can be surprising when people tell you in conversation which bits. They aren’t necessarily anything to do with the landmark moments.
The Menzieses’ House No 20
My friend awaits my Edinburgh based regencies so she can walk the pavements she walked while growing up in Buccleuch Place and indulge in a little sentimental reminiscing.
Other lovely people have been mulling over this topic and they can be found on their blogs below:
A.J. Maguire http://ajmaguire.wordpress.com/
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Dr. Bob Rich http://wp.me/p3Xihq-YV
Anne Stenhouse https://annestenhousenovelist.wordpress.com/
Helena Fairfax http://www.helenafairfax.com
Marci Baun http://www.marcibaun.com/blog/
Victoria Chatham http://victoriachatham.blogspot.ca
Rachael Kosinski http://rachaelkosinski.weebly.com/
Connie Vines http://mizging.blogspot.com/
Beverley Bateman http://beverleybateman.blogspot.ca/
Rhobin Courtright http://www.rhobinleecourtright.com
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My camera strap appears in countless photographs across the years. Why a camera strap? We finished the armchair travelling yesterday. The very last of the slides was shown and it couldn’t have been better chosen: a grandchild, sweets in hand in the conservatory of the little house we rented in Assynt and surrounded by board games, a jigsaw, the bird book…
Novels Now 