Diary of a Writer – March Writing Prompt

dsc01314This picture was taken just over a month ago in Trinidad, Cuba. The horse or pony was much in evidence as a means of personal transport and as a draught animal.

Travelling between Havana and Trinidad by bus, we saw many pony and cart combos not only in the fields, but on the highway. Occasionally, they were driving against the traffic! There wasn’t a lot of traffic, but some of it travelled fast.

What does this picture ask of you? I see the light and shade. I see the interesting local houses. I see an animal taking its rest when it can.

And I wonder. Who left it there? Will it be the same man (didn’t see any female riders, folks) who comes back to it? What if a different man rode off?

Currently re-thinking the W-I-P, but still in Regency Edinburgh although on the High Street for this one. Courting the Countess still at 99p.

Also deeply involved in the Romantic Novelists Association’s Awards Night. If you’re there, I’ll be on the front desk. Come and say Hello, why don’t you? Ponies should be tethered outside.

 

Round Robin – Prologue and Epilogue

PROLOGUE AND EPILOGUE The temptation to misquote from something half remembered is too strong to overcome. In my beginning is my end…

I don’t use either prologues or epilogues in the four novels I’ve published so far. It is fair to say that Daisy’s Dilemma carries on the story of Lady Daisy and by doing so tells any interested reader what happened after the first book, Mariah’s Marriage, ended.

But that is novel length and hardly a short rounding off of anyone’s story.

So – why not?

Prologues almost, but not quite, fall into the same category as Introductions for me. I don’t read them before I read the book and sometimes not even then. Is this impatience to be getting on with the story? Is it arrogance? Why do I need to have someone’s view of a subject before forming my own?

Prologues of course are little tasters. They plant a hook deep in the reader’s brain about what happened to, or in the life of, one of the characters who are about to unfold on the book’s stage. I prefer to have all of that in my story. Maybe it’s just a question of stylistic preference.

Epilogues round off or flesh out the ending the reader has been presented with. Just in case one was unsure doubt is removed. Yes, there was a happy ending and here is how it evolved. No, it was a bittersweet ending and here is how it evolved. Oh dear, the baddie was rescued by a passer-by and is recovering in hospital to plague the hero and/or heroine in another book.

Personally, although I do read epilogues, I like my own imagination to have room to weave an ongoing fantasy.

Our full topic asked if you could have one without the other. I don’t see why not, but perhaps my fellow bloggers have reasons. Catch their opinions below.

Anne Stenhouse Author

Margaret Fieland http://margaretfieland.wordpress.com
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Dr. Bob Rich http://wp.me/p3Xihq-QS
Marci Baun  http://www.marcibaun.com/blog/
A.J. Maguire  http://ajmaguire.wordpress.com/
Victoria Chatham http://victoriachatham.blogspot.ca
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Helena Fairfax http://www.helenafairfax.com
Beverley Bateman http://beverleybateman.blogspot.ca/
Connie Vines http://connievines.blogspot.com/
Rachael Kosinski http://rachaelkosinski.weebly.com/
Kay Sisk http://kaysisk.blogspot.com
Rhobin Courtright http://www.rhobinleecourtright.com

November Writing Prompt

dsc00870This month’s writing prompt:

as the world awaits the result of some major elections

as we prepare for a ‘hard’ winter in the West

as the vibrant colours of summer give way to the softness of autumn and the starkness of winter

What does this flower mean to you? The picture was taken in Italy.

COURTING THE COUNTESS buy from amazon here

Roll Up, Roll up! Courting the Countess Freebie

Greyfriars Bobby - a capital landmark

Greyfriars Bobby – a capital landmark

Publishers Endeavour are offering my Scottish Regency COURTING THE COUNTESS as a free download between 10th and 14th October.

‘I finished it a couple of days ago after reading it greedily fast, and feel bereft!’ From the five star review by Mrs K Brock.

Is romance, a twisted fairy tale and murderous mayhem your kind of read? Then look no further – and Courting the Countess is FREE for Five Days.

And maybe, just asking, maybe you’d like to leave a review, too? Please.

Amazon

UK      US      DE    CA  AU

September Round Robin – do you have eccentric writing practices – Pardon?

What writing practices do you have that you think are eccentric or at least never mentioned, but you find helpful? – is the theme or topic for September’s Round Robin post.

Hmn!

If they’re our practices will we be aware that they’re eccentric? If we are, do we keep quiet about them lest others think we’re eccentric – or because we sense an unfair advantage?

100_5920So, Tunnock’s Tea-cakes are the secret eccentricity around here. But – maybe not so eccentric as they’ve been around, if not here exactly, but in Scotland anyway, for  nigh on 60 years. They are a much enjoyed tea-time delicacy, school snack, lunch treat, anytime…

bannerfans_15410729

And how do they constitute an eccentricity in writing terms? Well, when it’s going well, they’re a wee reward. when it’s going okay, they’re a sugar rush to the head. When it’s going badly – well there are worse things to do than eat a teacake – or two.

Maybe I was supposed to tell you about long-hand drafts or my portable type-writer; the folders of tourist information brought back from trips abroad and never again consulted, but I know they’re there if needed; the xxxx dotted through MSS so I can find the places in need of corroboration or checking; the frantic ‘find and replace’ searches in final edits so that the heroine’s hair and eye colour is the same throughout.

Maybe.

My fellow Round Robin friends may have more curiosities for your delectation. They can be consulted by clicking on the links below. In the meantime, I’ll unwrap a teacake, designed by Boyd Tunnock for the family firm in Uddingston in 1956.

Courting the Countess

courting-the-countess

 

 

 

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
A.J. Maguire  http://ajmaguire.wordpress.com/
Beverley Bateman http://beverleybateman.blogspot.ca/
Dr. Bob Rich https://bobrich18.wordpress.com/2016/09/24/is-my-writing-right-for-you
Rachael Kosinski http://rachaelkosinski.weebly.com/
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Connie Vines http://connievines.blogspot.com/
Helena Fairfax http://www.helenafairfax.com
Victoria Chatham http://victoriachatham.blogspot.ca
Margaret Fieland http://margaretfieland.wordpress.com
Rhobin Courtright http://www.rhobinleecourtright.com

COURTING THE COUNTESS

courting-the-countess

It’s such a pleasure to introduce my latest book to you all.

COURTING THE COUNTESS from Endeavour Press went up on amazon platforms this morning.

Courting the Countess is my take on the Beauty and The Beast myth and features Melissa, Lady Pateley who has lost her beauty in a fire. She has become an object of desire, however, for many unscrupulous men who would marry her and use her wealth. Falling back on loyal servants and her own innate strength, Melissa responds to Colonel Harry Gunn, a retired army doctor. Can he, handsome and charismatic, persuade Melissa life will be worth living again? Can he overcome his own uncertainties along the way?

Courting the Countess is available here for UK buyers and here for US.

Round Robin August – Coming Soon – Courting the Countess

Really exciting news this month because I can also tell you about a new book in the production process. You’ll have to check back for the cover Reveal and publication date, but meantime, TA RA………………………………………………………….

COURTING THE COUNTESS will be my 4th published full-length romance when it comes out from Endeavour. It’s the story of a young woman whose beauty has been lost in a fire. As such, Courting the Countess, is a most appropriate study for this month’s round robin feature: What mental, physical or spiritual wounds or scars have you used in your stories?

Courting the Countess began life as an entry for the Elizabeth Goudge Award competition when the then RNA Chair, Christina Courtney, asked for a novel opening based on a fairy-tale.

WHAT IF, I thought, the Beauty was the man and the Beast was the girl?

Easy enough to create a physical illness or disability for one of the characters, but what implications does the loss of beauty have for a person? Lots, I would say and thereby was my story found.

Injuries and pain bring with them a loss of confidence and zest for life. Can my hero restore her? What spiritual wounds might he be living with that help or hinder him in this task? There have to be some, I think, in a well-rounded novel or the light and shade is compromised.

Courting the Countess, like my other books also has a lot of fun, dry wit and period detail – 1819, Scottish Regency, Edinburgh. As a writer I don’t believe in whacking the reader with mental, physical or spiritual burden all the way through. Life is a kaleidoscope, but the heroines of any romance need a fair bit of angst to work through and show their characters to best advantage.

If this subject interests you, then please head along to one of my blogging friends, below:

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Victoria Chatham http://victoriachatham.blogspot.ca
https://bobrich18.wordpress.com/2016/08/27/the-wounded-healer
Rachael Kosinski http://rachaelkosinski.weebly.com/
Anne Stenhouse  https://annestenhousenovelist.wordpress.com/
Helena Fairfax http://www.helenafairfax.com
A.J. Maguire  http://ajmaguire.wordpress.com/
Fiona McGier http://www.fionamcgier.com/
Rhobin Courtright http://www.rhobinleecourtright.com

Anne’s on twitter @anne_stenhouse

Facebook www.facebook.com/annestenhouseauthor

Buy my books here: Amazon Author Page