Hullo again and welcome to June’s Round Robin which is about Characters. Robin, who sets up these posts, calls it a basic topic. It is a basic topic – but one might also refer to it as fundamental.
You can have the most wonderful plot in the history of fiction writing, but if you have to frogmarch your characters through it – it will not work.

In the beginning
So how do I go about developing them? I listen to their conversations. I used to write plays and for that I would put two characters in a room and listen in. Gradually, gradually, I begin to hear what they think needs saying. Fiction of course needs much more narrative and the conversations have to be embellished by surroundings. A pauper woman in Shoreditch is going to have different things to say about there being no food in the house, from a Duchess in Wiltshire.
Fiction writing also lacks a play producer, so it’s up to the writer to dress the characters. Perhaps that leads on to what the Duchess thinks about her dressmaker and the pauper about the rag-and-bone man.
I do spend time on it, but it is time during the writing process. I may know that my theme demands a type of heroine and a type of hero. As I explore what I want to tease out of the theme, I’m listening to the characters.

…and into maturity
What inspires the process of creating a character? Well, getting the next action or twist right, is very important. When I was writing Mariah’s Marriage, Mariah’s response to the countess’s revelation that Toby wanted to marry her, wasn’t the response I’d thought to type. As I typed, the girl’s reaction crystallised and when I read it over, I realised that the character had spoken and I needed to re-think that part of the plot and what happened next. An altogether satisfactory place to arrive at.
The other participants are listed below and despite having a teen at hand to consult, I’ve no idea why they’re appearing in miniature font. Comments on that or on how you create characters will be most welcome,
Anne
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea/view/541/characters_that_capture_your_heart_
A.J. Maguire https://ajmaguire.wordpress.com/2017/06/24/all-about-character-june-round-robin/
Victoria Chatham http://victoriachatham.blogspot.ca/2017/06/where-do-your-characters-come-from.html
Marci Baun http://www.marcibaun.com/character-process-round-robin-june-2017/
Judith Copek http://lynx-sis.blogspot.com/2017/06/developing-characters-for-your-fiction.html
Rachael Kosinski http://rachaelkosinski.weebly.com/captains-log/how-do-you-round-up-the-usual-suspects-a-round-robin-on-characters
Diane Bator http://dbator.blogspot.ca/2017/06/may-2017-round-robin-blog-fest.html
Dr. Bob Rich https://bobrich18.wordpress.com/2017/06/24/where-do-my-characters-come-from/
Beverley Bateman http://beverleybateman.blogspot.ca/2017/06/character-development.html
Anne Stenhouse https://annestenhousenovelist.wordpress.com/2017/06/24/round-robin/
Marie Laval http://marielaval.blogspot.co.uk/2017/06/round-robin-importance-of-researching.html
Fiona McGier http://www.fionamcgier.com/blog/round-robin-for-june
Connie Vines http://mizging.blogspot.com/2017/06/developing-characters-in-your-stories.html
You are so right – this is not a “basic” topic, but a critical one. If the reader doesn’t care about the character, they aren’t going to be interested in finding out what’s going to happen to them.
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Good morning, Skye. Yes, basic in the sense of the work not existing without it and critical as in it’s the cornerstone. Anne
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It’s always so interesting to read about others’ writing processes. Especially liked what you said about characters and their surroundings – the pauper and the Duchess.
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Hi Kate, thank you. I suppose I was thinking the duchess might go on to blame her staff whereas the pauper has to look to her circumstances, but I suppose she might also find someone to blame, too. Hmn! Anne
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I always find it startling when I’m writing and a character takes over, so I’ve been glad to read so many of us share that experience.
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Hi Rhobin, I used to think it was a bit precious to say so, but it is a real thing and as you say, startling. Anne
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Without characters, we have no story. I’m always happy to have the characters take over. It’s much easier that way. 🙂
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Hi Marci, a lot of agreement this month over the importance of the characters’ roles. anne
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“Frogmarch.” I had to smile. Many of my novels have a cowboy as a hero (what a mental picture your comment gave me) Yes, i agree. What fun would writing be, if the characters didn’t speak to us and show us the way?
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Connie, I haven’t looked ‘frogmarch’ up. Will do that when I get a chance because you’ve made me wonder. Cowboy characters offer lots of scope – we Scots don’t really have an equivalent role. anne
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I’m so glad to hear a character’s reactions come to life for you in much the same way they do for me. Sometimes I have in mind one thing, and the character yanks me off in another.
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Hi AJ, It’s very rewarding. Anne
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I think that when your character takes over, then you have done something right, and never mind if it messes your initial plot!
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Hi Marie, thanks for dropping by. Yes, I think that’s right, Anne
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Anne, it’s cool that you came at writing from a playwright’s perspective and had to adopt the skillsets of producer/seamstress/director/etc.! Probably makes for a unique writing voice.
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Hi Rachael, Well, that’s what we all hope for so anything that contributes to the end result has to be good. Anne
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I’ve never written a play script, but I love your idea of putting two characters in a room and listening to their conversation. I’ve begun work on the third book in my Berkeley Square Regency series, and will definitely give that a try. Thanks for that tip, Anne.
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Hi Victoria, Yes, it’s my favourite way of getting into something. I think our British playwright, Harold Pinter, did this too. Good luck with it, Anne
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Some great tips Anne, thank you. ‘m going to listen in on my characters too!
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Hullo Jenny, thanks for dropping by. The other blogs have some interesting approaches, too, but we all agree that character is paramount. Anne
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